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Monday, May 7, 2012

5-07-12 Pictures of Tommy - a memoirist’s blog #8


(Right now, I’m focusing on my memoirist work that I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy. If so inclined, please share, and tell me what you think. . . )


PICTURES OF TOMMY WE WON’T EVER SEE



He will never meet Mister Kitten, or see the house and the flowers in our garden :-(

When I cry over Tom and his memory, it’s because he missed out on so many good things that I have taken for granted in my charmed life.  I’ve known much friendship, romantic love, success in music and writing.  I’ve lived in places and done things that many will only dream of.  I’ve figured out how to be where I’m nourished and loved. 

Whenever I’d want to invite Tommy over, he’d do something to sabotage my desire.  For starters, I invited him to our 2006 wedding -- Matthew & me.  Tom sent a looseleaf-penned letter with a dirty, crumpled $5 bill. . . with a stinging “Wedding Poem” that I won’t go into here, and the message, “Dear Laurie-- This is to inform you that I will NOT attend the wedding or following reception.  Respectfully, Tom”

So.  At any rate, we won’t ever see a picture of our brother, Tom, smiling and waving from the Chester-Hadlyme Ferry.  We won’t be seeing him on the Essex Stream Train, or at Gillette’s Castle, either.

And we won’t ever see a picture of him at a backyard picnic here in Chester at our century-old farmhouse holding up a large red plastic cup with his name written in black sharpie, saluting the camera with our family and friends with his shy, crooked smile. . .

Sunday, May 6, 2012

5-06-12 Pictures of Tommy - a memoirist’s blog #7


(Right now, I’m focusing on my memoirist work that I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy. If so inclined, please share, and tell me what you think. . . )

MY CHARMED LIFE

(I even get to meet my writing idol and inspiration, Mr. Tom Wolfe, at the Southampton Writer's Conference in 2004. . .) 



One memorable conversation with Tom went pleasantly.  He was in a good mood. “I’ve made peace with my God,” Tom said.  “And, uh, we’re in a good place.”  He continued, saying how his faith was stronger than ever and that he was doing well.  His poetry was coming along, he was liking what he wrote, and some of it was getting published, even.

He asked me about copyrighting, and I said I’d done some of that with the proper forms and all, but that maybe it was just as effective to mail copies of work to yourself, certified mail, and not open it. I’d heard that might work, but hadn’t confirmed that with a reliable source.  On the conversation meandered.

Then, it took a strange turn.  “Laurie, I heard you and your husband were laid off and you’re worried about money.  I could send you a ten,” he offered.

“Oh Tom, thank you. That’s very generous.  But we need jobs, not a quick fix.”  The idea that ten dollars could help when the mortgage and bills came to around three grand a month was laughable, but at least his heart was in the right place. I wonder what he was thinking when the next words came out of his mouth:

“Laurie, you know, you haven’t really lived up to your potential.”  If he’d stuck me in the eye with a hot poker, it probably would have been just as hurtful.  What could I say to that?  Did I say, Tom, you know, I’m still trying?  Did I say, that’s your opinion, schmoe -- and hang up?  Did I say what, do you mean you haven’t lived up to YOUR potential?  I don’t remember.

Suffice to say, I probably got off the phone as quickly as I could and mulled it over.  I know it made me resolve to try even harder, to work even more at making something of myself in what I do best, in the talents God gave me: music and writing.  It also made me angry, sad, and feel really low. . . the nerve of him saying that!  Like I need a kick in the pants? 

Maybe. . .

5-05-12 Pictures of Tommy - a memoirist’s blog #6


(Right now, I’m focusing on my memoirist work that I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy. If so inclined, please share, and tell me what you think. . . )

(below: Tom was 14 years old in this picture - I think he looks a bit like Lou Reed here) 



FRIENDSHIP

I knew of a few friends he’d had, starting with childhood.  Douglas (Doug) Schneyman was a kid from a few blocks away who also went to Saint Anastasia’s school.  Doug was also a smart kid, tall, skinny, bespectacled.  In the modern parlance, you’d call him “nerdy,” as was my brother Tommy, I suppose. 

Something about Doug was very likable; he seemed to understand that Tom was very different, but still liked him and tolerated a lot of little odd things about him.  I’d look at his face when they were together, and a patient, bemused look seemed to play on Doug’s face when he was around Tommy.  I know this because Doug’s sister, Judy, was my best friend at the time, and we spent time together playing in the same house (usually the Schneyman’s house, a large Tudor/mock castle on Alameda Avenue, a cold and formal place that invariably smelled like scrambled eggs and ketchup).

Let’s face it, except for my younger sister & brother, Carrie & Mark, our family was half made up of eccentrics: mom, Tom, & me -- you could definitely see there wasn’t a screw loose but we were “different.”  Mom and I were what I call functional eccentrics (“efficient eccentrics” -- we get the job at hand done, come what may).  On the other hand, Dad, Carrie, and Mark were smart, people-savvy, “popular” types.  They carried a mirthful side, a quiet confidence.  You could tell they liked being around others, and other people enjoyed their company.  They acted almost conspiratorial in those delicate situations, winking at the thief and smiling at the dame to quote William Blake. . . when young, I’d run for the hills and tune out when similarly exposed.  I guess I’m better with people now. . . I know how to be “lighter,” though the intensity hasn’t gone.

 So, there was Doug Schneyman, Tommy’s first good friend.  Then, as a teenager, Tom had a shy, cute friend with long, shaggy hair named David DuBrule, with whom I flirted shamelessly and had a fling.  I couldn’t help myself, being an excitable teenage girl. . .

I don’t know about friends in between, but the last good friend Tom had was named Frank, and he was a parishioner of Tom’s Church, Saint Thomas the Apostle, and the editor of the church newsletter.  A fellow poet and devout Catholic like Tom, Frank was a mysterious man, a name only to Carrie & me (Tom talked a bit about people in his life when we occasionally saw him, and I didn’t know what to think about this “Frank” character).

True to his nature, Tom would crave friendship and love, go out and seek it: at church, at his group home recreational functions, even in the Village.  Tom liked to hang out in Greenwich Village, between 6th Avenue and LaGuardia Place, West 4th Street and Houston.  Interesting that he never visited me (I lived a half block away, on Thompson Street between Houston and Prince), but that’s beside the point.  Perhaps he “haunted” these places more than would hang out. . . Carrie and I heard Tommy say he liked to go to Washington Square Park, and to the Back Fence and some other hangouts in the Village (the touristy, NYU village), and he’d make friends there.  I’d scoff to myself -- never to him, not to hurt his feelings -- “friends”!  I’ll bet they let him buy them drinks and talk a blue streak, not making sense necessarily, laughing privately to himself, not able to drink because of the massive doses of antipsychotic medications, Stelazine etc.  Being diabetic, too, made Tom only able to drink diet sodas and the like.

Anyway.  Tom would cultivate friendships for a few weeks or months -- then tear them apart.  He’d go in cycles.  Same with his relationship with his family: we’d be in, then we’d be out.  After a while, I didn’t want to take part in the paranoid “one week in, one week out” game he always played. 

So I stopped talking to him for months, years at a time.  When mom died, Carrie was named co-trustee to a small nestegg of a trust that mom left Tom.  Carrie became his friend, confidante, and bitter enemy when he was on the outs with the universe.  Carrie became my hero, doing something I never thought I could do: love him unconditionally and weather his raging storms.  She is still my hero.

At the funeral home, our sister, Carrie, cried the hardest and longest over him just before they moved the coffin out to go to the funeral service.

Friday, May 4, 2012

5-04-12 Pictures of Tommy - a memoirist’s blog #5



(Disclaimer:  My apologies to you who’ve been enjoying the survival job entries -- and I will return to it in June -- but right now, I’m focusing on my memoirist work which I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy.  It’s full of  pathos, humor, and old family photos. If so inclined, please tell me what you think. . . )


PAYING DUES

I had to face facts: my brother loved the blues.  We rock writers in the seventies made fun of the genre and called it “da blooze.”  Of course, there are greats in that genre like in any other musical genre (bluesmen Muddy Waters, BB King, Stevie Ray Vaughn to name a few -- and of course, Bessie Smith and Janis Joplin, two queens of da blooze).

The blues is as American as. . . anyway, it’s truly American in origin.  However, Tom liked his electric blues filtered through the Britrock legend, Eric Clapton.  I never quite got that; I mean, I never understood why he didn’t go to what I considered the real deal.  Tom played blues electric guitar, and he had various “axes” over the years, various Gibsons and Fenders.  He never had a classic ES-335 like BB King, but favored the solid body electrics -- like Clapton, of course.


[Above, a nice Fender Strat(ocaster), similar to one that Tommy had owned & played]

One time, when we were getting along and talking on the phone, I’d ask Tom if he’d heard of Robert Johnson.  The legend went that Johnson met the devil at the crossroads and the devil gave him an amazing sound in exchange for his soul.  The classic, “Crossroads Blues,” resulted.

“Yes, Laurie, Cream and Clapton recorded ‘Crossroads.’”  Of course!  That was a big Cream classic.  It barely resembled the original, but it was the same song.  So I asked Tom about other Robert Johnson songs.

“Uh, no, Laurie, I’ll have to look into that.”

Sure, there’s all kinds of recordings and blues compilations available with that stuff on it, I told him.  I wasn’t saying anything, period, about Clapton or Cream -- I was just kind of hoping he’d get over it and get into some REAL blues.

Then Tom floored me with a question.  “Laurie (pause) do you think I’ve paid my dues?  Do you think I have a right to play the blues?”

I felt a heaviness inside, and I felt so small and sad.  How could he wonder?

“Tom, if anybody has a right to sing the blues and has paid his dues, that would be you.”

5-03-12 Pictures of Tommy - a memoirist’s blog #4


(Disclaimer:  My apologies to you who’ve been enjoying the survival job entries -- and I will return to it in June -- but right now, I’m focusing on my memoirist work which I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy.  It’s full of  pathos, humor, and old family photos. If so inclined, please tell me what you think. . . )


YOUNG Vs. CLAPTON

There were times when I got snippy with my brother.  I just had to push the boundaries, have a little fun, and get back at him.  Sure, he was disturbed -- but I didn’t have to agree with him about music, did I?  Since his early teens, Tom had been a huge fan of Cream and, especially, Eric Clapton.  It got to the point I was sick of hearing about Eric Clapton, Clapton, Clapton.  Enough!

So, one time when we were all at mom’s, in Queens, at a family gathering, I started saying to Tom, you know, I like Neil Young better than Eric Clapton.  Neil’s not boring and he never plays too many notes.  There’s real feeling in the music of ol’ Neil. . .  I went on and on.  My musician boyfriend was with me, and he didn’t say a thing, the eyebrows went up and he just kind of watched and listened, knowing full well that my brother might react by going into an argument, a tailspin, or get confused.  You just never knew with brother Tom.


(the author plays favorites: Neil Young, above, circa the seventies)

“--And, you know, Neil Young’s a better songwriter, too.”  I couldn’t stop myself from going on and on.  For thirty years, I had put up with brother’s adulation of a guy I didn’t much care for at all. . . it just never moved me, and I couldn’t pretend or keep quiet any more.  I might as well have been twisting a knife into his heart: my brother loved Eric Clapton’s music so much. 

Things got tense.  My boyfriend said something conciliatory, like, Well, Clapton’s all right -- like when he blah blah blah.  Tommy’s face did the usual: no affect.  He got quieter, maybe sadder.

Mom piped up: “Tommy, would you like some nice decaf -- some Sanka?  I made a sugar-free chocolate pudding for you--“ Tom was diabetic on top of everything else.  I started feeling bad for him again, but I stood my ground and said, again, Give me Neil Young any day -- he rocks.

Tom was dumbfounded.  I don’t think anybody had ever stood up to him like that; we always pussyfooted around, being careful not to upset him.  Well, that night, I felt compelled to play that devil’s advocate, compelled to see what would happen.

“Well, I don’t know, Laurie -- I need to think about that.”  Again, his emotionless face registered just a hint of sadness, his haunted eyes regarded me tiredly.  Then he accepted Sanka and dessert from mom, and soon after, we all said good night.

I felt kind of awful.  Afterwards, on our way home to Manhattan in the train, I asked my boyfriend what he’d thought of the exchange.

“It was one of those sister-brother things.  I couldn’t get in there and take sides for either of you. He’s all right, though.  And you know you’ll never convince him that Clapton’s not his god.”  Silly arguments, old grudges, fights about sibling stuff that went back to ancient history between us. . . how could there have been any winners?  

Thursday, May 3, 2012

5-02-12 Pictures of Tommy - a memoirist’s blog #3


POETRY MAN

Brother Tom got into poetry a few years after our mom passed away.  He called me up.

“Laurie--“ He called me by a name I’ve not used since the age of 12, around the time Tom cracked up.  I told everyone to call me Lauren then. “--Laurie, I’ve got some poetry and I want you to look at it.”

It was flattering for him to call and ask me because I was in a graduate school program in Connecticut to be an English teacher.  He probably thought I knew a little about poetry, and I do.  Not a lot, but just enough to 1. know what I like, 2. to enable me to rattle off some names  of poets and kinds of poetry, and 3. to get in trouble.

“Uh, Tom, sure.  I’d love to read some of your poetry.”

“I’d like to read to you. This one’s called--“ Omigod, was he going to read aloud over the phone?  There’s no way that would work well -- with me, poetry needs to be seen as well as heard because I’m a visual learner, first.  That much I took away from my studies for my Education degree, the multiple intelligences theory of learning.

I cut him off.  “Tommy?  Uh, Tom?  Please, I am better with poems and reading if I can see the words --“

“What, Laurie?  You don’t want to hear my poems.  You don’t think they’re good enough.”

“Tom, what do I know?  And how would I think they’re not good enough if I haven’t seen or heard them yet?”

“You just aren’t interested.”

“No, you’re jumping to conclusions.  Give me a chance.  All I’m saying is I won’t get as much out of them if you read them aloud and I can’t see them.”

“Oh. . .”  He takes a half minute to stop and think.

I continue. “So, do you have my address?  Can you mail some to me?”  This was around Y2K -- the year 2000 -- and he didn’t have email.  I didn’t even know if he had a computer.  Everything about Tom was shrouded in mystery, partly because I was saddened to hear about his circumstances and didn’t want to know.

I remember visiting him one time in Woodhaven, Queens, at his apartment around the time he’d been placed there.  A program for mentally ill adults, Phoenix House, helped him to move out of a group home and into a place of his own for the very first time, at age forty something.  Good for him!  But, when I was actually at the place, my heart broke: the one-bedroom apartment in a rundown 1920’s tenement on a tiny side street in semi-urban Queens, was tired out, ugly, small.  There was nothing “nice” about the place or its contents.  The used furniture was cheap and drab and uncomfortable.  Clutter was strewn everywhere, magazines, books, papers, CDs, tapes.  Tom asked if he could play guitar and sing a song for me.  He’d been playing blues guitar -- mostly electric -- most of his life, always bragging that he was really good.  Sure, I said, play something. He played a slow song, something with a nice lick, and he played well.  Tom sang along, too: not a pretty sound, but he was sincere and on key.  His tone was unpleasant, but the pitch was all right.  He sang a song by his idol, Eric Clapton.  I couldn’t tell what it was, though, because I don’t listen much to Clapton.  Tom looked disappointed that I didn’t know the song -- which was due to the combination of his not singing well and the song being one I only heard on the radio occasionally.

It was “You Look Wonderful Tonight.”  I can’t hear the song nowadays without choking up.

 (Tom's "wonderful tonight" blues idol, Eric Clapton)


5-01-12 Pictures of Tommy - a memoirist’s blog #2


(Disclaimer:  My apologies to you who’ve been enjoying the survival job entries -- and I will return to it in June -- but right now, I’m focusing on my memoirist work which I’ll call, simply, “Pictures of Tommy” -- all about my psychotic brother and his legacy.  It’s full of  pathos, humor, and old family photos. If so inclined, please tell me what you think. . . )



(Tommy Agnelli at age 4 or 5. . . 50 years or so before this conversation happened)

EX-COMMUNICATION

Whenever the phone rang, we’d tense up.  Was it him? Was it worse for the machine to answer?  If the machine got it, we were screening calls, avoiding him; if we picked up, we were in for it anyway.  Why not run for the proverbial hills?  Sigh.  Might as well just pick up, get it over with.

“Hello, this is Lauren.”

“Hullo, Laurie? It’s your brother, Tom.”

“Oh, hi Tom. What’s up?”

“You don’t sound like you want to talk to me.”

“Uh, no, um, it’s just that it’s been a long day and, um, never mind.”

“Oh.” He sounds disappointed.

“So, how are you, Tommy?  I heard from Carrie that you were in the hospital again. Are you feeling better now?”

“Well, you know what it’s like, they lock you up and they think you’re crazy --” No exaggeration: he’d been hospitalized so many times we’d lost count, mostly for mental health reasons.

“Uh, um, yessss--“

“Are you calling me CRAZY?”  My brother laughs. 

“Tom, no, I’m not calling you crazy.  I think you brought it up.”

“Well, you’d think that family would care about what happens to me. But I was in that hospital for FIVE days.  Nobody called, nobody visited.  And then Carrie came, and she was mad at me--”

“Tom, I’m sorry you went through that again.  I was kind of wondering what happened--“

“You’re judging me.”  Anger was creeping into his voice.

“No, that wasn’t what I was thinking, actually.  I’m glad you called, I was worrying about you--“

“CUT THE CRAP!  YOU DON’T GIVE A DAMN ABOUT ME!”

“Tommy, please, I just don’t call because you told me not to last time we talked. You said you were done with me, and I just wanted to do the right thing--“

“YOU NEVER GAVE A DAMN, YOU NEVER UNDERSTOOD ME, YOU CAN GO TO HELL!” Click.

That was a typical short call with my brother, Tom.  The longer calls were a little better, but even harder to follow.  Whatever was said by either of us came out distorted, like when little kids splash around in the water and it’s the first time they see their feet submerged underwater and it looks like someone else’s feet strangely disconnected from their bodies. It’s a weird, disorienting feeling. . .

While some say you’re never alone with a schizophrenic, you’re also never really there.  My schizo-affective older brother, Tommy, brought out the escape artist in the whole family, or what was left of it.