Once the lyrics and melodies and song structures were in place, Tom and Bruce went to town on the catchy licks and bassline, and we all started harmonizing on the choruses. Because I started to sing the lyrics and nobody objected, I sang lead on the song. Wow, that was a rush! Once we were in the room, I think that Malloy & Brannon kind of had to step aside -- or more likely, the Washington Squares force field pushed them to the periphery, as in a centrifuge. They started the song and handed it off, so we were fleshing it out and finishing that sucker.
I was considerably cheered that, after an hour or so, we had a new collaboratively written song made in Nashville. How cool. Did it matter that five people were in the room and that I kind of took over on a few aspects, and everybody shared equally in the song? Didn’t matter to me, not a bit. I’d do it again -- write with a group of writers -- and come up with some cool tunes.
I know that I took the lyrical/melodic lead, but the song wouldn’t have been the same without the contributions of everybody (esp. the new, faster tempo and cool guitar and bass parts). I’m very proud of “Can’t Stop the Rain.”
We recorded that song and “You Are Not Alone” in David Malloy’s Nashville studio the next day. The version we completed and took back to NYC with us didn’t impress the record company; it wasn’t very folky at all, too souped up with synthesizers and effects that made it sound kind of new wave (like Human League or Haircut 100), which was happening at the time but it wasn’t our style.
At any rate, we did record “Can’t Stop the Rain” as well as “You Are Not Alone” on our first album, the sessions we did at Electric Ladyland with Mitch Easter producing. . .