All right, those of you who knew me and some of the people back in “the scene” knew exactly who I was referring to in the last blog. I feel safer not naming names if the person is still living. Just don’t want to make anybody too uncomfortable, you know?
And besides, as long as I can make a “compliment sandwich” -- say two nice things with something objective or objectionable in between -- that’s cool, right?
I’m remembering a mutual friend of ours (that S&M expatriot & Miriam Linna’s), a real creative guy, an obsessively creative genius young filmmaker named M. Henry Jones. He loved the Fleshtones and Nervus Rex, and used to hang out at gigs. He was on the scene, and had a very clean cut, almost 1950-ish retro look. I guess maybe a new wave Clark Kent? He was tall, slender, wore thick rimmed eyeglasses, and sort of stammered when he talked, all excitedly.
“Henry” as we called him did a few early music videos that were animated. He was all about animation, claymation, anything cool that took an indecent amount of painstaking time to accomplish. His patience MUST be legend.
“Soul City” by the Fleshtones, and “Go Go Girl” by Nervus Rex were two of his pet projects that have been revisited a few times. When he asked me if I could dance the pony for a project he did, I made sure it was with clothes on (I’m a good Catholic girl deep down, remember!). The designer, Haruko, made the b&w striped vinyl jacket; I had the miniskirt and black Beatle boots, and the dyed black hair that swayed nicely to and fro while I frugged and ponyed and twisted away.
I’ll attach it to this blog and if it works, enjoy!