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Showing posts with label employment. Show all posts
Showing posts with label employment. Show all posts

Friday, August 10, 2012

8-04-12 Survival Jobs for Writer-Musicians -- Starter Job #168 (Yuppie Culture in NYC, Where will it all end for me, already?). . .


Let me repeat those coupla disclaimers, first:

** News flash to loyal readers: not feelin’ my usual healthy self since my CA trip. . . did Jet Blue poison me with their plentiful fun snacks and ”superhealthy” Snack Up box? Hope not! Anyhoo, pardon the (temporary) disappearance. I’ll get back up to speed so hang on & fasten your seatbelts: it’s gonna be a bumpy ride (kinda). . . pickin’ up old memories for me ain’t all roses and chocolates. . .

*** PS - I could use another real good survival job right now: any ideas?

Yuppies on the screen: All right, other than the aforementioned Afterhours by Martin Scorcese, various Yuppie portrayals on the screen helped form the image that we formed and projected of that sometimes scurrilous sociological species: Yuppie.

All right, so there was Michael in The Big Chill.  In the movie, he was called cold and manipulative, and wasn’t very sexy. Played by Jeff Goldblum in thick eyeglasses, he was also a funny Jewish yuppie. Of course, yuppies came in all sizes, ethnicities, and religions. But, on re-watching The Big Chill, it seemed insipid and unsatisfying. Other than seeing a really young and skinny William Hurt, Glenn Close, and the whole rest of the cast (wow -- well, it WAS almost 30 years ago), and having an all right soundtrack, I don’t like it.

Another funny -- and sweet -- yuppie on the screen: Alex in the television show Family Ties, as played by Michael J. Fox. His yuppieism seemed a reactionary move to his liberal hippie-ish parents, who despaired of him ever earning back the soul he sold to the devil of commerce. . . or tried/wanted to sell it.

But of course the greatest yuppie fairy tale of all came with two strong female characters -- played by Sigourney Weaver and Melanie Griffith -- with one dreamy (at the time) romantic lead, a good guy played by Harrison Ford.

If you said Working Girl -- bingo! I’ve got to mention supporting actress Joan Cusack, too, and Alec Baldwin as the philandering Staten Island boyfriend of Melanie Griffith’s character. . . the movie’s premise, plot, characters, and music was all so well done I still kinda love it. . . “I’ve got a mind for business and a body for sin” is just one of the great lines. And how about, “. . . it’s not even lea-thuh!?”

Working Girl is a classic good yuppie/bad yuppie saga. . . and yuppie style was explained and exhibited very well. . .

Friday, January 6, 2012

1-5-12 Survival Jobs for Writer-Musicians – Starter Job #3 (Carvel)

Recap: Although making music and writing have always been my main talents and the most blissful things I can think of (out of bed), you just know I’ve had an amazing array of “day jobs” and assorted other gigs to keep the dough rollin’ in. Some of those gigs were on the books, some of them not. I can’t say I’ve made huge amounts of undeclared income (take that, IRS!), but in the past, a few hundred bucks here and there, sure.

So, going back to the ignominious start of it all, off the books I was a professional Dog Walker at age 12, and then, five years passed before I got another job in our neighborhood of Little Neck-Douglaston, in Queens. This was my first “real” on-the-books employment. People from the tri-state area (NY-NJ-CT) know of an ice cream franchise that was famous for its product as much as its spokesman’s gravelly/bizarre speaking voice. “I’m Tom Carvel. Try our delicious frozen desserts, especially our ice cream cakes, made fresh in our stores. . .” Tom Carvel’s big sell was a strange looking cake called “Cookiepuss” – kind of like a cross between Caspar the Friendly Ghost and a cartoon alien. At Thanksgiving, Carvel would hawk a turkey-shaped ice cream cake that was shaped suspiciously like Cookiepuss, only rotated at a different angle and decorated like, well, a Thanksgiving turkey. And at Christmas, the Cookiepuss became Santa Claus. . . what a versatile cake mold, that Cookiepuss!

At the Little Neck-Douglaston Carvel, I had to wear a uniform of sorts (definitely a hat and some kind of shirt), and clock in with a time clock. I was paid minimum wage ($2.30 p.h.) which, at the time, was sufficient to live on, actually (if you keep in mind that rent on a typical Manhattan apartment was $125, and probably under $100 in the ‘burbs). I was good at the soft serve machine and at scooping ice cream. . . but only the manager got to make Cookiepuss! He was probably around 20 years old, a sweet, dark haired, dark eyed guy -- looked like Bob Cowsill with a bad case of acne – and I always felt respect and humor from him. He had a girlfriend or a fiancĂ© and was around the Carvel store half the time when I worked.

The boss, on the other hand, was a kind of creepy man, named Howie or something, a guy once rumored to flirt with and feel up some of the other female employees. As luck would have it, I was in the height of my post-anorexic phase, and too skinny to appeal to a guy like Howie. Or maybe he was afraid of my dark, flashing eyes? Whatever. I didn’t want to take anybody’s s**t, but most of all I’d have been so freaked out. . . I’m glad nothing happened.

At my Carvel job, it must have looked funny to have this terribly thin person serving big cones of ice cream and huge, goopy ice cream sundaes, but there I was. As employees, we could eat ice cream to our heart’s desire (in the back), but my special treat was when they had banana soft serve Carvel ice cream. I’d pour myself a big one in a sugar cone, lay it down on parchment paper, place it in a freezer, then have a treat for later that I could eat VERY slowly for dinner or lunch (always gave me a headache and made me need a nap, but it was yummy). I’d always ask for shifts when they were selling banana soft serve.

At my Carvel job, they knew they could count on me to do a good job with customers, run the cashier efficiently, work hard, and be ultra reliable. I don’t do sick days – mostly, I’m too healthy and besides, why let a little discomfort (illness) get in the way of making money? Especially if you didn’t want to lose your job, you just showed up.

I’ve been showing up for almost forty years now, every job, every single gig, every deadline. Maybe I’ve had five sick days (including one gig I had to miss with the Washington Squares on account of Chicken Pox!). ‘Tis the secret of my survival job success: be reliable and show up!!