(Well,
after doing six weeks of blogging about my crazy big brother Tom -- may be rest
in peace, and I’ll be working on finishing a book-length version of that story,
with his writings interspersed -- I said I’d return to the original blog’s
purpose: my survival jobs through the years. Along the way, many other interesting things happened. . .
like living in NYC, being part of the CBGB music scene, moving to England,
visiting Paris, etc. It’s been
QUITE the life -- and it’s not even half over yet!)
(photo of a photo by Stephanie Chernikowski, 1982 -- "Lauren in the world of men")
I
returned to NYC in November 1982 with two full suitcases, my guitar, a
duffelbag, bittersweet memories, and the remnants of my own, cute English
accent. You know the way Linda
(Eastman) McCartney had a Yankee-Brit accent that some thought odd, others
affected, and others thought just “natural” (having been immersed in the culture
24/7 for some time)?
Guilty,
I was. But as I didn’t record my
voice at the time, I couldn’t tell what
I sounded like. Some people
remarked, “What’s that British accent you’re putting on? Pu-leeze!” At any rate, I was quite delighted to be rid of my Queens
accent, a sort of low-class way of talking that I’d always been ashamed of --
or shunned.
However
I sounded when I talked, that didn’t matter to me as much as how I sounded when
I was making music. Although
scared, I was ready to get back in the NY groove and start playing guitar and
singing again. So why not do a
performance art type thing, and get a “busking” gig at a hip club and just kind
of be there, play with an open guitar case, and pretend I was in a London tube
station?
Oddly
enough, Steve Maas, “Doctor Mudd” from the Mudd Club, thought it was an all
right idea. So I played one of the
floors of the Mudd Club in the winter of ’82, dressed in my London clothes with
my Guild F-30 guitar and my mix of classic country and twisted original
songs.
Here’s
a photo that my friend, music photographer Stephanie Chernikowski, took of me
one of those nights. . .
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