(sung
to the tune of “Old Paint”) “I buy some old paint/Feel like an old man/Go back
to my apartment to paint it up again/I work hard all my life just to make ends
meet/One slip of the payment, and I’m out in the street (CHORUS) Drive around
little tourists, drive around real slow/See the last of the village, it’s ready
to go.”
So
went one of our early traddie rewrites.
We’d make songs topical about what we were experiencing -- similar to
the folk process that Woody Guthrie or any other self-respecting folk singer
would do. It really sounded cool because it was rocked up with a hard beat, a
throbbing R&B bassline, and jangly, loud guitar riffs. Add the three part harmonies and ten
thousand watts of folk and WHOOO!
Off we went. I always
smiled extra wide when we did “Old Paint”. . . .
Anyway. The three of us “New Wave Refugees” sat
together with our bar napkins to write on and our non-alcoholic bevs (the guys
liked coca colas and I drank seltzer with a splash of cranberry) to brainstorm
until the name -- so obvious it was genius -- came up: The Washington
Squares. Whose idea was it? I say it was a harmonic convergence of
all our brainpans, an amalgamation if you will of all of our ideas. The fastball wit and back and forth
punning (my forte IS puns) with those guys was like alternately witnessing --
and playing -- a pinball game.
We
became the Washington Squares (not the Pinball Wizards) in an inspired act of
communal wordplay. Together we
named the beast -- but of course, Tom or Bruce would say it was THEIR
idea. I’d expect that, wouldn’t
you? If you knew them, you’d know
how territorial things got. . . but neither could agree on who was top dog, and
I never challenged either. They
were like two different breeds of dog: a Labradoodle and a Jack Russell
terrier. But of course, I’m a furry
medium hair mutt of a pussycat -- but no Josie, oh no.
In
that band, I figured as long as I was the queen, so be it *-) I was the only girl, and if I’d been
more forceful or sexy, or if I worked with blander personalities I’d have been
potentially more of a star, but it was work enough being a Washington Square --
part of three great harmony singers and rebels from the village. I just wanted
equal attention -- and a chance to shine at being a songwriting musician.
As
before mentioned, we had an image (neo beatnik), a mission (We just basically
hated Ronald Reagan and everything he stood for). We had our Ray-Bans, berets, our
turtlenecks. . .
AND we had just
acquired a great name. . .
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