I’ll say it again: Tom Goodkind was never more brilliant at promotion than he was with the Squares. I knew if I hitched my star to that wagon -- with a brilliant promoter and the combined musical talents of Tom, Bruce, and me -- that it’d have to go much farther than I could’ve mustered on my own. I work well in a team and like to work collaboratively, so it went well, for a while. . .
How Tom got Stephen Holden to review us for the New York Times in 1984 was really quite a coup. If he reads this, I’d love to hear his version of how that came about. I know that Jill was also great at publicity and that she worked in the field, so what the hey, it could’ve been her doing. . . but this was really good for our press kit, which got fatter by the month, seemingly:
Oh -- and here’s a snap of us with Peter Stampfel, the brilliant leader of the (Un)Holy Modal Rounders, taken at a Folk City gig when we invited him up to sing (does Tom remember the name of the song he was belting out enthusiastically with us here?).